A Patch of Grass for Daisy (2021-2023)

A Patch of Grass for Daisy is a multimedia project featuring three companion pieces. Components of the project include sculptural installation, video, poetry, and performance.

Exhibition history:
Lawn|Patch|Grass, Franconia Sculpture Park, Shafer, MN (April 2021–January 2022)
Nature 2023, Czong Institute for Contemporary Art (CICA Museum), Gimpo, South Korea (February 22–March 12, 2023)
Lull, works by Jenn Sova and Sarah Umles, 1122 Gallery, Portland, OR (August 2023)


Patch
site-specific installation and durational performance at Franconia Sculpture Park, poem, video

This first component of A Patch of Grass for Daisy took place at Franconia Sculpture Park in the form of a 9-month site-specific land art installation and a month-long duration performance, recounted through poetry (below). The poem and a video are the remaining artifacts from this otherwise temporal work.



for Daisy
text on cotton panel, ceramic egg-shaped funeral urn, incense ash

for Daisy is an elegy, lamenting an invisible loss. The poem plays on the letter æ, also known as an “ash.” The text is accompanied by a ceramic egg-shaped funeral urn. Incense ashes are collected from this installation’s companion piece, Græs, then are symbolically placed inside the urn.

* Old English word for “daisy,” meaning literally “day's eye”
† the letter ”æ” is called an ash; line to be read: “ashes to ashes”

Græs (Old English for “Grass”)
Boon® baby bottle drying rack, soil, cement planter box, Frank & Myrrh incense, ash

This second component of A Patch of Grass for Daisy plays on the Old English etymology of the word “grass,” which contains the letter æ, also known as an “ash.” In Græs, a baby bottle drying rack—designed by Boon® to resemble grass—is “planted” within a concrete planter box. The audience is invited to light a stick of incense* and place it upon the altar-like sculpture.

Over time, incense ashes fall in between the rigid “blades of grass” and are later collected to be placed inside the ceramic funeral urn in Græs’s sister installation—for Daisy (below). Through participatory and performative ritual, both Græs and for Daisy acknowledge the significance of the ground as a final resting place and pay homage to ashes as a symbol of death, repentance, and healing.